Multiband compressor rap vocals fabfilter mb
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When you have a band selected, the controls for its dynamics processing appear in a semi-transparent grey area superimposed over the lower half of the spectrum analyser. The upshot of all of this is that if you want to set up Pro-MB as a conventional multi-band compressor, you can, but you can also use it as a dynamic equaliser, focused only on frequency-specific problems such as vocal sibilance or acoustic guitar soundhole resonances. Except that it's not quite conventional, because you can also click and drag vertically to freely change the steepness of the crossover anywhere between 6dB and 48dB per octave. You can drag either the entire band or its outlying lines to reposition it, and when you get near enough to an adjacent band, the relevant vertical lines will snap together to create a conventional crossover. Click elsewhere and a second band is created. Click, and a new processing band is created between the two vertical lines. Hover the mouse somewhere near this line, and a blob will appear that follows your movements, with vertical lines either side. Open up a new instance of Pro-MB, and you'll see a real-time spectrum analyser running in the background with an orange horizontal line superimposed halfway up.
The idea here, by contrast, is that processing is applied only where it's needed. Most multi-band plug-ins - in fact all the other ones that I can think of - operate on the principle of dividing the entire frequency spectrum into multiple separate bands, each with its own dynamics processor attached. Bands Of GoldįabFilter have also applied some fresh thinking to the user interface.
Pro-MB does offer both conventional minimum-phase filtering and linear-phase filtering as options, but its default Dynamic Phase algorithm is claimed to offer the best of both worlds: there's no phase shift unless dynamic processing is actually taking place, but there's also no latency or pre-ringing. Some multi-band dynamics plug-ins offer an alternative linear-phase mode, which avoids phase shift, but brings with it the potential for other problems such as 'pre-ringing' and increased latency. This is a consequence of phase shift caused by the filtering used to split the incoming audio into separate frequency bands. When you insert a conventional multi-band plug-in across a complex signal such as a full mix, you often have the sense that the sound is being subtly or not-so-subtly changed even when no actual dynamics processing is taking place. Sonically, the main new weapon in its arsenal is something that FabFilter call Dynamic Phase Filtering. Dynamics processors that operate only on selected frequency bands are of necessity more complex to set up and use than their broadband forefathers, and many of the multi-band plug-ins I've tried are intimidatingly complex, so this is definitely an area that could benefit from some innovation and intuitive design! Dynamic Phase FilteringįabFilter's Pro-MB promises to innovate in several respects. The latest addition to the FabFilter stable applies the same principles to the world of multi-band dynamics processing.
#Multiband compressor rap vocals fabfilter mb plus#
(They also have the plus of being available in all major plug-in formats including 64-bit AAX, and not requiring any further authorisation once bought and downloaded.) FabFilter have had great success with this approach: the EQ and dynamics plug-ins that make up their Mastering Pack, for example, are notable not only for their extremely clean sound, but also for their innovative and intuitive user interfaces.
#Multiband compressor rap vocals fabfilter mb software#
Whereas many plug-in developers seek to ape both the sound and the look of vintage outboard processors, others are trying to escape from the paradigms that were established by hardware designers half a century ago, and write software that performs well on its own terms.
What does their take on the multi-band compressor have to offer? FabFilter are on a mission to rethink familiar effects and processors.